Nerval's Poems

(Trois Odelettes)

Nerval's Poems

Duration: 11:45

Trois Odelettes

Duration: 7:15

Concert band, Fanfare, Vocal Solo, Monophonic Choir

Grade: 3

Hal Leonard Europe

About Nerval's Poems

Nerval’s Poems is based on four poems from the collection Odelettes by Gérard de Nerval (1808-1855). As a psychotic poète maudit this French poet  lived in the realms of his imagination, where he identified himself with fairy-tale princes and Oriental heroes. His small – but valuable – oeuvre would become a great source of inspiration for the later symbolists and surrealists.

The four poems are preceded by an instrumental prologue.  Une Allée du Luxembourg evokes one fleeting moment crystallizing a feeling of love and the nostalgia for bygone days. Espagne is a poetic homage to Spain, musically reflected in typically Spanish sounds with an Arabic touch. Chanson Gothique is a poem about enjoying the beauty of life; in the music these elements appear in a chanson-like song, which goes back to the theme of the prologue. The work closes with Notre-Dame de Paris: an ode to that mighty cathedral. The introductory bars of this movement are inspired on Schumann’s song about another famous European cathedral: the Cologne Cathedral – Kölner Dom in German – (“Im Rhein, im heiligen Strome” [The Rhine, the holy river] from Dichterliebe [A Poet’s Love]).

About Trois Odelettes

Three of the parts of Nerval’s Poems have also been published for soprano voice and band, in a higher transposition under the name Trois Odelettes.  

Une Allée du Luxembourg describes a fleeting moment of love; Espagne is a typically sounding ode to Spain; and Chanson Gothique describes the joy of life itself.

Performance Notes

Nerval’s Poems can be performed in an instrumental version as well as in a version for voice (male, female or monophonic choir) and band. If you choose to perform the work with a vocal soloist, the use of a microphone is advisable. In principle, a vocal performance of the work is possible without any adaptation of the instrumentation. Alternatively you can leave out some vocal lines in the instrumentation, so that no doubling of the vocal part occurs; however this is not advisable, since the instrumental lines mix with the voice very well – provided it is amplified.

Trois Odelettes is especially for soprano voice and band, in a higher setting as Nerval’s Poems

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